Tag Archive for 'love & rummage trunk show'

365 : 38

365 : 38

365 : crochet cookies by Shannon Gerard

The Love & Rummage 2 Trunk Show on Sunday was pretty incredible. I was overwhelmed by the huge turnout of people. It was so busy that I didn’t even get a moment to say hi to some of you! Thank you for dropping by. You guys are awesome.

We were able to raise $190 from the sales of the workroom’s rummage (all $1 or $2 items!). As promised, I matched the amount raised and donated a total of $400 to the Red Cross Haiti Relief Fund today. Since the Canadian Government is matching all donations until February 12th, that $400 will turn into $800!!

Donating could not be any easier. Simply visit the Red Cross Site and donate any amount you wish by paypal or credit card.

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LOVE & RUMMAGE 2

Love & Rummage 2

Can you believe it’s time for another fun trunk show? Our Valentine’s shows are always such a bright, warm spot in the dreary winter. Check out the City of Craft blog to see detailed vendor profiles for some of the show’s talent. I hope to see you this Sunday!

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VINTAGE BLAZER

It’s all business over here, so I thought I should dress the part today. It’s tax time and it’s one of the things I do not love about having my own business. All the accounting, paper work and tax stuff really eats up a lot of time.

Nevertheless, it was a good excuse for me to throw on this blazer that I got at the Love & Rummage Trunk Show from Jen. It’s so crazy cute. I just love the angular pockets and the tailored look. I’m not sure how old it is, but all the lining is stitched in by hand and there are weights inside the hem and tiny darts on the shoulders. It feels so great to wear something with such lovely workmanship.

Andrew bought us a huge full length mirror recently and I’m just realizing how amazing it is not to have to jump up and down or stand on a chair to see my entire outfit at once. It also means I can take much better photos of the clothing I make.

Okay, back to work for me!

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LOVE & RUMMAGE GOODIES

The grand finale to my weekend was the much anticipated Love & Rummage Trunk Show. I don’t think we realized how enticing the ‘rummage’ aspect was going to be. Everyone was so excited to scoop up the vintage fabrics, buttons, clothing, housewares and trims. I have to admit, so was I. I got the sweetest vintage hankie with squirrels and bunnies on it and a lovely piece of vintage floral fabric from Claire. I also got a super colourful Vera scarf from Margie, which I think will bring a little spring to these last winter days and a darling grey vintage blazer from Jen.

I think I now officially have a Trunk Show bunny tradition. I can’t seem to resist the bunny! At this show I picked up one of Sarah McNeil’s crazy cute knit bunny brooches. Of course, I also got one of Margie’s (Resurrection Fern) crochet sea stones. I have been coveting those stones for a very long time.

We were blown away by the crowds that showed up right at noon and had a steady stream of people until we started closing up the trunks at 5pm. It was pretty incredible and exciting.

We got a lot of great press for this show, including that lovely article in the Toronto Star and mentions in The National Post, BlogTO, and Toronto Life. Many of you early birds also heard me on CBC radio’s Metro Morning on Friday with Jane Hawtin. It was a live chat, so I got up at 4:30am to be in the CBC studio for 5:30am! I didn’t realize that so many people listened to the radio so early in the morning. (while I’m usually fast asleep for a few more hours) It was really wonderful to meet all the people who discovered us through these mentions.

Since we never rest on our laurels over here, the end of a trunk show means the start of planning for the next one!

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INTRODUCING : OLD WESTON HANDMADE WONDERS

I first met Kalpna (aka Ghost Face Knittah) when she attended a Church of Craft gathering and spent the afternoon crocheting one of her little bears. This was one of the first times I had witnessed the wonders that were possible with crochet. My next encounter was when she participated in the Spring Thing Trunk Show last year. Kalpna opened up her trunk and proceeded to set up a charming display on birch logs of woodland-inspired jewelry. (She had me at birch logs!) There was just no way I could resist one of her acorn necklaces. I’m excited to see what other wonders appear when her trunk pops open this Sunday at the Love & Rummage Trunk Show!

How did you start down the road to craft?

KALPNA : Starting to make things myself was a direct by-product of being an accessories-obsessed but pathetically poor teenager in Toronto. Weekends were spent pressing my nose up against the glass of all the great shops on Queen West, ogling the jewellery and bags and fun clothes. Sometimes I’d have the courage to go in and actually fondle something, marvel at all the components and details, but always left empty-handed. Everything changed when I discovered how accessible and affordable jewellery-making supplies were, and I started to hit the bead shops instead. As any crafty person can attest, making things is highly habit-forming, and I just kept looking for interesting things to string up and wear around my neck. Three or four years ago I decided to step up my game and took a beginner’s metalsmithing class with Tosca Teran at her studio. Besides teaching me the basics, Tosca made me realize how possible everything is, and I’ve been consulting her (and using her soldering station!) ever since. I’m excited that I no longer make things just because I’m too broke to buy them, but because the process of putting things together and selecting all the right bits has become so much more rewarding that just the mere acquisition of stuff.

What does the name Old Weston mean to you? Is there a story behind it?

KALPNA : Old Weston Road is my street, I’ve lived there for over twenty years. While I love it dearly and can’t imagine living anywhere else in the city, I’ll be the first to admit that it’s not a particularly pretty street. It’s busy and noisy with traffic all day and most of the night, and there’s no green space. Growing up on Old Weston Road meant no ball-hockey in the street (too many cars) or jump-rope on the sidewalk (too narrow) so as kids, my sister and I would wait until the liquor store directly behind our house closed for the day so we could play frisbee and badminton in its parking lot! Across the street is a Roman Catholic Church that shines brilliantly at Christmas, and six doors to the right is a gas station that gets held up about twice a month. When we first moved here in ‘86, the house attached to mine was a record store/recording studio called “Classic Sound” owned by a serious Rootsman named Ozzy, which provided a killer reggae soundtrack to my intensely urban childhood – I swear it was straight out of an Ezra Jack Keats storybook!

All this to say that finding beauty and inspiration on the block was (and is) no easy feat, and also to explain what I feel is a hypersensitivity to the natural world and small, natural wonders (like acorns!). As a kid (and even now) my only interaction with anything other than a concrete landscape is an hour or two spent in High Park (which is luckily just a twelve-minute bus ride away) or in my small backyard, where stumbling upon a tiny mushroom, a magical clump of moss, or a strange little flower (more likely a weed) is a momentous event. I will never forget the awe of finding these “rare” treasures, and how I would bring them indoors and desperately hope for them to last forever, turn them into something I could grow, take care of, or even wear (I distinctly remember my sister calling me a moron after catching me trying to shellac the crap out of a daisy – an eight-year-old’s attempt at turning it into a pendant). I have Old Weston Road to thank for my fascination and appreciation for all things natural, and for reminding me that there are wonders hiding everywhere, in even the most drab environments. Also, I make everything in my bedroom (and in the dining room, kitchen, and basement), and so life on Old Weston Road assures me that it’s okay not to have a studio or fancy workspace – it’s proof that if you want it bad enough, a creative, crafty life can be maintained and enjoyed any old place. Old Weston is my ‘hood; it’s why I make the things I make; I hope to enhance it’s charm, one silver acorn at a time.

What/Who is inspiring you these days?

KALPNA : In keeping with my unofficial mandate of trying to fabricate portions of the natural world that I don’t experience enough of (or sadly, that I may never see at all), I am utterly beguiled by Helle Jorgensen’s blog – “gooseflesh” – which the lovely Angelune Deslauriers directed me to. Her crocheted sea creatures and coral are breathtaking, and I hope to crochet some sea urchins for my windowsill soon (I destroyed a small collection of them in a dusting incident over the summer). And, since I spend almost every waking moment of my life surrounded by books, I’ve become increasingly drawn to children’s book illustration (ha! Get it? Drawn?!) – all the OG illustrators like Leo Lionni, Richard Scarry, and Gyo Fujikawa, and contemporaries like Marc Boutavant and Sara Varon. I think it may be time to sharpen them coloured pencils!

What was the last book you read?

KALPNA : I actually haven’t finished a book in quite a while. I’ve gotten into the really bad habit of getting into too many books at once (just like craft projects, I think I’ve currently got about eight on the go) and working full-time at the bookshop only encourages this kind of non-committal reading since people expect me to know a little something about everything on the shelf. I think the last book I read in its entirety was Jeremiah, Ohio – a novel in poems by Toronto’s own Adam Sol. It’s about Jeremiah (you know, like the prophet from the Bible?) and a truck driver named Bruce who go on a road trip across America and deliver prophecies in strip-mall parking lots as they make their way to the promised land of New York City. It’s a great read – beautiful, funny, tragic, a little bad-ass. I’ve never read poetry with such plot development before. I like it!

Are you going to be selling some rummage at the sale? If yes, what??!

KALPNA : Oh, I’ve got rummage. I’m hoping to share my “Bombay stash” – crafts, supplies and mementos that I’ve collected during two visits to that city – particularly some handmade, Indian paper gift boxes and envelopes scored from Chimanlals (an incredible “paper culture” shop), some glass and wooden beads, as well as some wonderfully tacky brooches and accessories that have some serious Bollywood flava.

What Valentine gift would melt your heart?

KALPNA : It wouldn’t take much to make my heart melt – a couple cupcakes from The Cupcakery, a well-chosen book (no one ever gives me books), or a snowy romp through High Park. Oh, and there’s a new Morrissey album coming out soon, that would be a perfect Valentine’s gift.

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INTRODUCING : GIRL NUMBER TWENTY

I’ve been struggling for twenty four hours with how to properly introduce Marnie Saskin. Somehow I was trying to fit all the following words into fitting ode:

Lovely. Calm. Girl Number Twenty. Thoughtful. Playful. Cozy. Crafty. Etsy. Wise. Mama.

Your daughter seems to have a huge influence on your crafting, I’m sure you are inspired by her every day. How did your work and ideas change once you became a mother?

MARNIE : The work and ideas only blossomed after Safiya arrived, actually. Pre-Safiya I had been herded daily into an office cubicle, which is not conducive to craft, on many levels. I managed to churn out a couple of Christmas presents annually, but that’s about it. After Safiya, the thought came into my head, as it does with many people I suppose, that “wow. If I can do that, I can do anything!” A hesitancy about my life fell away and I started taking chances. Her energy just started to fill our home, and since being with her, being with kids, is so physical, there was a parallel in my creative life that started to make itself evident: the obsession with the texture of felted sweaters; that everything had to be washable and dryable and natural fibres; the need to be frugal with what I had around the house, yet heap up comfort and well-being simultaneously; all this became woven into what came off the sewing machine and out of my hands. She makes me laugh and she still has that un-self-conscience inner voice that we’re all born with that says “I am awesome!”; it hasn’t been quashed by anybody yet and I hope it never does. Being around that is contagious.

Does Safiya make request of things she would like for you to make her? What was the last thing you made specifically for her?

MARNIE : Um, dinosaurs? The list changes daily, and is usually accompanied with “you can sew that, right Mama?” I try to make those kind of projects collaborative. The last thing we made was a small, rudimentary, pink stuffed T-Rex, which she sketched on the felt first. We discovered that her craft scissors cut felt better than mine. I really need to get my scissors sharpened. The last thing I made as a surprise for her was a small wool blanket. We were hoping that she would bond with it because since she was a babe her favourite blanket has been a giant acrylic afghan that my grandmother knitted, which has its own suitcase when we travel. I am not kidding. I was so relieved when she loved the new blanket. Taking the bus out of town will be so much easier now.

As someone who works so hard to create the smallest possible footprint in this world – What are your goals for yourself this year? Do you have any tips for those of us who aspire to be more conscious of our impact?

MARNIE : I really want to find a way to either source or create fabric labels for my items that are created from either organic textiles or second-hand textiles, including the thread or printing dye. There has got to be a not-too-labour-intensive (and not too expensive) way to do that. Anybody got any ideas? That, and possibly shrink my footprint so much that I float around. That would be handy. {NOTE: Coincidentally this recent post provides some answers to Marnie’s question}

Everybody is engaged with their environmentally conscience side at a different intensity. I feel weird about giving tips, but it’s a good question, so maybe the best tip I could give would be to really let loose with the creativity. Seems redundant for this crowd maybe, but usually there’s a just-as-beautiful way of doing something using what’s already out there. Make connections. If you draw from nature in your art, make that connection between what you’re using for your supplies and how that impacts the beauty you’re trying to communicate.

What is your favourite soup?

MARNIE : Anything vegan. From potato-creamy to spiced-lentil to bright-summer-vegetable. I am definitely a soup kind of girl. Today’s was potato/caramelised onion/golden beet/rutabaga/carrot/saffron/chard. It was very yummy.

Are you planning on selling some rummage at the show? if yes, what might that be?

MARNIE : Definitely. Probably felted sweater wool scrap bags, and maybe some fat quarters from my stash, or slim ones, depending on the scrap situation. I’m working on some felted-sweater-seam balls of wool, and another supplies surprise. I love the idea of handmade supplies….

What Valentines gift would melt your heart?

MARNIE : Handmade wool felt slippers, preferably hand embroidered by my husband (no, he doesn’t embroider, but the idea of him with an embroidery needle….) The way to this woman’s heart is through her warm feet.
That, and dark chocolate.

All photos courtesy of Marnie Saskin (except photo #3 by the workroom)

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SPINNING LOVE & RUMMAGE

Becky

The weekend went by really fast! I hardly had a chance to realize it was here.

I spent Friday night hanging out with Becky at the workroom promoting the upcoming Love & Rummage Trunk show. This included having our photo taken in various “un-posed”/posed situations. Becky was smart and had props (balls of yarn), while I laughed nervously the whole time, not knowing what to do with my hands. The great part was chatting with writer Tabassum about all manner of things crafty and talking up all our fantastic vendors.

If you read the Toronto Star or if you are my mother, check out Thursday’s fashion section to see how the story spins out in print.

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INTRODUCING : JEN ANISEF

Jen Anisef helped change my life.

When the workroom was just a hare-brained scheme in my head, I nervously attended a Craft Chat held by Toronto Craft Alert. I had never interacted with Toronto’s craft scene in person, only lurked on local blogs and cruised a few craft fairs. I didn’t realize at the time, but this was a pivotal moment for me.

Attendance to the Craft Chat was much smaller than expected, but the quality of people was stellar. This is where I first met Becky (Sweetie Pie Press), Leah (Cold Snap Bindery), Angelune (Toronto Craft Alert), Marnie (girl number twenty), Johanna (the workroom’s esteemed quilting teacher!) and Jen. The chat ranged on topics from the American vs. Canadian craft scene, rallying local resources, creating more dialog (online & in person), and etsy. Although I wasn’t ready at the time to share my business idea, I left feeling that this small group represented everything I hoped to bring together in the workroom. I think this is just one of thousands of examples of the positive impact TCA & Jen have made for so many people in our community.

Toronto Craft Alert is just one of the major, local, craft-supporting projects that Jen is involved with. She is one third of the City of Craft team and one half of the Good Egg Industries team. This crafty lady is truly remarkable and she makes a mean patchwork, to boot! Thank you, Jen for everything you do.

Jen will be at the Love & Rummage Trunk Show selling her irresistable log cabin heart medallions, plus City of Craft tees and totes.

When did your life become all about craft? or has it always been that way?

JEN : I have always made stuff & bossed people around with regards to making stuff. I organized a group of my ten year old friends in a crafty collective of sorts – hawking our fimo hairclips and brooches to shops! I didn’t begin to identify as artistic or crafty until about 1999 when I spent a year living in rural Japan where everyone and their grandmother is engaged in the act of making at most times, or at least in appreciating the natural creative beauty that surrounds them. I was fortunate enough to hook up with an English-speaking farmer buddy who drove me around the prefecture, translating interviews with craft artists of all different sorts including master weavers, washi makers and traditional indigo dyers. It was heaven and I realized then that I was in love with craft.

All of your many projects are focused on the local craft scene – TCA, Good Egg, City of Craft… Why is this issue so important to you?

JEN : I think in the early years of craft engagement I spent A LOT of time on craft message boards, communicating with people halfway across the world about crafty crushes, trading tips & techniques, and generally being excited that there were other people out there (often far out there) that shared my interests. Eventually, as the craft movement/subculture grew I was able to connect with people closer to home, and I felt that this more traditional form of community was something I needed to engage with to be fully satisfied – I loved being able to physically share & touch & smell & see & hear what people are doing. Don’t get me wrong, I think the online, cross-border connection is extremely valuable and inspiring, but I think there is an increasing desire among crafters & humans to move back towards the local and my projects are a reflection of that.

You are a busy lady, what is next on the horizon for you?

JEN : The most immediate thing is getting the re-designed Toronto Craft Alert site launched (so soon!) and a very juicy giveaway contest I am hatching to celebrate. Also, Toronto area peeps may be excited to know that we are bringing Handmade Nation to town on February 26th as part of the DIwhy? show at the Ontario Crafts Council. Stay glued to the City of Craft site for details. Finally (well, is there ever a finally?!) the other day while doing dishes a really exciting & possibly huge idea occurred to me but I need to sit on it for awhile longer before busting it out. I’ll just say it has to do with offering targeted support to entrepreneurs in Toronto’s booming craft world.

I know how much you love colour and colour matching. Do you have a current favourite colour combo?

JEN : Oh, that’s a tough one! If I were fifteen years old, I would say purple & orange without hesitating. Things have gotten a little more complicated since then…I love the combination of superbright, saturated & neutral colours. I’m starting to explore neons & pastels.

If you had a day where you were not allowed to do any ‘work’ for all your ventures, how would you spend the day?

JEN : When left to my own devices I am a pretty lazy gal…I would say sipping loose tea in sweatpants & reading my fantasy novel on the couch (got hooked on a recent trip to Cuba). Maybe followed by a potluck/clothing swap with friends which my husband would cook for!

Are you planning on selling some rummage at the show? if yes, what might that be?

JEN : I am planning to tackle my unruly fabric stash and emerge some scrap bags & larger pieces. I will also have some vintage clothing on offer and old craft hobby magazines.

What Valentines gift would melt your heart?

JEN : I am a sucker for a carefully orchestrated (re: colour palette) bouquet. Handmade (by him) jewellery would also weaken the knees.

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INTRODUCING : SHANNON GERARD

If you invite Shannon Gerard to your trunk show, you are pretty much guaranteed that she will be the first to arrive to help set up and when she opens her trunk you will be simply amazed at the things she has made out of yarn. People say that crochet is ’so easy’, but I can’t quite wrap my head around how you go about making plants you can’t kill, sprouting avocado seeds, strawberry-topped tarts, mustaches (or plushtache in Gerard-speak) and other anatomy from a couple sticks and ball of yarn.

Of course, this is just a small fraction of Shannon’s talent. I would encourage you to snoop around Shannon’s blog, her website and her etsy shop to learn more about the lovely, humourous, but deliberate work she creates.

You are involved in a lot of diverse craft – crochet, comics, screen printing, etc.. Where did it all start for you?

SHANNON : My crafting started with storytelling– I used to think of myself as a writer before anything else– which led to bookmaking and drawing. I started to make books that weren’t traditionally structured and got into the sculptural qualities of book binding materials. Then I learned crochet because I wanted to create the Boobs and Dinks as a side project to a book I was writing. But since then, crochet has taken over my whole life! Once I started, there was no stopping.

What is the story behind your Boobs and Dinks project?

SHANNON : Boobs and Dinks was first just a side project to Hung no.3; Lonely Tylenol, a comic book I wrote that tells the story of my boyfriend finding a lump in his testicle. We were pretty scared about it and tried researching online, but found very little information for men. Of course there are millions of resources available to women about breast health, but not so much for guys. So I asked a friend to teach me to crochet because I had this vision of wanting to get at the fear with some useful information that was delivered in a soft and humourous way. I really wanted to make plush warm-up toys that educated people about body awareness and crochet was the perfect medium. Although it is definitely still connected to the book, Boobs and Dinks has become a huge multi-dimensional project of its own– people really respond to it! Since it started, I’ve found out about so many other amazing craft related projects that deal with cancer and human frailty and fear. I’ve also connected with so many other crafters and video artists and writers and organizations that deal with very similar issues.

Oh and, my BF was fine– the lump turned out to be just a dilated vein– but that fear when we discovered it was so intense, and I hope the project humanizes that kind of panic in a way that people can understand.

Is there anything you can’t make with crochet? Seriously!

SHANNON : Well, I want to make cowls, but I can’t read or write patterns. I’ve made a few attempts at learning, but just gave up. The beautiful and addictive thing about crochet is that you can just think of any shape you want to build and then make it up as you go along. There are only a few different variables but no end of ways to combine stitches to get the design you want. But sometimes the math is a bit tricky to work out the first time. You should see some of the prototypes for my projects- they are so hilarious and lumpy.

What was your biggest craft triumph?

SHANNON : Crafts mostly always feel triumphant! There is such a strong community spirit in crafts. Ideas are constantly evolving and growing because of the inspiration of others. Because there isn’t a lot of “mine mine mine”, you can work on projects with friends (at a workroom Stitch and Bitch for example) and always know that your work is respected. And many times ideas become strengthened by the input of others. Last year at the Valentine’s Trunk Show, I was talking to Ayalah at the workroom and since she is a medical illustrator, she gave me lots of tips for making my plush hearts more anatomically correct– so this year I have a whole new and improved pattern! Stuff like that is my favourite thing about crafts. Everybody triumphs!

Are you planning on selling some rummage at the show? if yes, what might that be?

SHANNON : Yep, I’m combing my stores for rummage– so far I have a few odds and ends of yarn, a batch of 35mm colour slides, some old blank mini-journals, and maybe some fabric squares I cut out for a quilt that never happened.

What Valentines gift would melt your heart?

SHANNON : For Valentine’s Day this year I’m dreaming of a collection of security buttons from Sweetie Pie Press– I want to get some of the rare pink ones before they’re gone.

The Love & Rummage Trunk Show will be at the workroom on Sunday February 8, 12-5pm.

All photos courtesy of Shannon Gerard. “Last Year’s Heart” photo by Alison Westlake.

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INTRODUCING : RESURRECTION FERN

Once again, we’re approaching another trunk show here at the workroom, in collaboration with the City of Craft ladies. The Love & Rummage Trunk Show will be a little bit different than our previous shows, as we’ve asked our vendors to also go through their crafty closets and package up some vintage supplies and goodies, as well as making their special wares. I have a strong suspicion that many of them have a treasure-load of stuff and I can’t wait to browse through it.

I’ll be profiling vendors every day up until the show, so I hope you drop by to take a peek at what’s in store. Today I’m super excited to introduce you to Margie Oomen of Resurrection Fern. I first discovered Margie on flickr when I saw a picture of one of her crochet covered sea stones. The first thing I did was check to see if she had an etsy store, so that I could buy one. Alas, at the time she didn’t – but her etsy store opened recently and seems to be doing really well. If you want one of her stones, you have to be mighty quick, as they sell out shortly after being posted. I have a feeling the same will be true at the trunk show.

Nature plays a big part in your work. How did the play between craft and nature develop for you?

MARGIE : I have always been a nature girl and also a maker of things from a very young age but it seems only in the last year or so that the two have really become covalently bonded. I have been doing a great deal of reading and thinking about how we can do our part to help increase awareness of the effects of global warming and unregulated consumption on our little planet and what I came up with was the concept of helping people see and experience what it is that is worth saving. To put this more simply, I really want to do my part to motivate people to go out there in the woods, meadows, seashores or even there own backyards where they can then slow down, and see what nature is trying so desperately to show them in the hopes that it will motivate them and inspire them to be creative.

Tell me the story behind your delightful crochet-covered rocks.

MARGIE : The story started with me crocheting the “rock babies” which were two little smooth stones I half covered with crochet one day and then my daughter said they looked like little babies wrapped in blankets. I smiled and then decided to add very simple facial features with a permanent marker and thus they were christened the “rock babies”.

I loved the look of an eyelet fabric covered stone I saw on flickr made by Stephanie ( little bird ) and decided to crochet some lace like covers for some sea stones I collected on my summer vacation in Cape Breton. The rest is history.

What/Who is inspiring you these days?

MARGIE : Nature is and always will by my greatest source of inspiration. I have made some great friendships through flickr and my blog and this creative community feeds and nourishes me everyday and also keeps me grounded.

What was your worst crafting disaster?

MARGIE : There is no such thing as a crafting disaster, they are only lessons to learn.

Are you planning on selling some rummage at the show?

MARGIE : I have been cleaning out my storage craft area and will have some vintage buttons, ribbons and trim and some vintage fabric bundles for sale and again a few surprises. I am not sure how all of this will fit in my vintage suitcase but maybe it will be a magic suitcase like Mary Poppins carpet bag.

What Valentines gift would melt your heart?

MARGIE : The best Valentine’s gift would be to spend the day snowshoeing or cross country skiing in the forest with my husband and having a winter picnic with a small fire. Our hands, feet and noses might get cold but our hearts would be toasty warm.

All photos by Margie Oomen

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