Here it is, my indigo-dyed, shibori dress. I’m so in love with it.

When choosing the pattern for this project, I wanted to choose a fairly simple dress that had sleeves to show off the shibori pattern. Rather than try to cover the entire dress with the pattern, I focused on having it clustered around the bottom of all the pieces. To get the specific placement, I cut out all my pattern pieces out of white muslin, serged all the edges and did the shibori right on each dress piece.

The pattern is dress “V” from Stylish Dress Book 2. This is actually the first dress I’ve made from this book. I’m just finishing off a second one this week. Melinda made this particular dress a few months ago, so I already knew how cute it was. Choosing the contrasting fabric to go with it was difficult. I’m pretty sure I pulled every navy bolt of fabric off the shelf before finally settling on this floral print from Windham. I also made fabric covered buttons using this fabric for the placket. Having matching buttons always makes a project feel polished.

This dress was simple to make. It has lots of pretty gathering on the neckline and sleeves. I did mess up one part though. I failed to add seam allowance to the placket down the centre, so I had an extra big hole down the centre of the dress. To fix it, I just created a little centre pleat below the placket which brought together the edges of the placket hole. Mistakes often lead to creative solutions, so I always try to avoid getting too upset when I realize that I’ve done something ‘wrong’.

This is my favourite dress so far. I’m really, really proud of it. I definitely want to keep experimenting with natural dyeing fabrics to make more clothing. The soft, uneven texture looks so beautiful. I even have the beginnings of an idea to do a quilt with only natural dyed fabrics.

The last day of the Natural Dyeing class was all about indigo dyeing. I’ve always admired Japanese shibori dyeing, so I couldn’t wait to try it out in this class. Shibori is a method of creating patterns on fabric during the dyeing process by binding, stitching, folding, twisting, or compressing it.

I got the idea to dye fabric for a dress from Melissa and pre-cut and serged all my pieces beforehand. This way I could plan exactly where the shibori would be located on the dress. I used a pure white muslin rather than a natural coloured one to keep the blue clearer. To create my design I placed screws (of various sizes and shapes) underneath my fabric and wrapped each one up tightly with heavy upholstery thread. This is a fairly labour intensive type of shibori, but I really liked the circular patterns it creates.

Deeper blue colours are achieved through repeated immersion into the dye vat. I was able to dip my pieces into the vat four times. It’s a bit hard to tell what the colour will dry as, it is always much darker when it’s wet. When I unwrapped all the screws, several of them had transferred rust marks onto the fabric which I actually really like. The fabric dried to a really nice blue and I even like the slightly uneven colouring, it gives it a vintage feel.

Shibori tights? Yes, please!

Next post – the finished dress!